vacancy noun
Empty space or void. Also an interval of free time—a gap with nothing in it.
Stare into vacancy (just look at nothing for a moment).
136 words starting with V.
Empty space or void. Also an interval of free time—a gap with nothing in it.
Stare into vacancy (just look at nothing for a moment).
Empty of something; lacking what should be there. A vacant throne has no king sitting on it.
His vacant stare showed he wasn't listening to a word.
To fade or wither. The word is archaic; Shakespeare used it to describe leaves or color losing their brightness.
His summer leaves all vaded—turned pale and withered.
A wanderer without a home or steady work. In Shakespeare's time, vagabonds were often feared as criminals or beggars, but the word could also mean anyone living on the road.
A vagabond with no prospects, moving from town to town.
Wandering or without a fixed home. Used to describe someone who roams from place to place without settling down.
A vagrom fellow might sleep under hedges and move on before dawn.
To lower or remove as a sign of respect or submission. Often used for taking off a hat, lowering your gaze, or yielding to someone's authority.
He vailed his hat when the queen entered the room.
Useful or beneficial; able to help you get what you want. An old word that doesn't show up much in Shakespeare, but when it does, it means something that actually works in your favour.
Tips or small payments given to servants and workers. Money that wasn't part of a regular wage but came from customers or visitors as a reward for service.
The innkeeper's staff lived on their vails from travellers.
Foolish and conceited, or pointless and useless. Can mean empty-headed and frivolous, or false and without substance.
A vain man who refuses good counsel and believes himself wiser than everyone around him.
In a way that is false or mistaken. You're doing something based on a wrong belief or hope.
He vainly believed the letter was genuine.
Excessive pride in your own appearance or achievements. A kind of arrogant self-admiration.
His vainness made him unbearable—he couldn't stop talking about his own victories.
Covered or draped, like a curtain. Shakespeare often uses it to describe a bearded face—the beard hangs like fabric.
A valanced chin, heavy with whiskers.
A valley, usually used poetically or sadly to describe the world or life itself. In Shakespeare, you'll see it in phrases like 'this earthly vale' — life as a low place we pass through.
The vale of years — a sad way of saying old age or the decline of life.
brave, courageous, or showing courage in battle or facing danger
But he attacks; and our virginity, though brave, is weak in defense: tell us some warlike strategy.
Strength or worth. In Shakespeare, it often means how much something matters or how solid it is—whether that's the force of an argument or the value of an object.
Priced or assessed at a specific amount. Listed with its worth clearly noted.
A valu'd file—one where every item has been priced and recorded.
The worth or importance of something—how much it matters or what it's worth compared to other things. A judgment about what someone or something is really like or how good they are.
A piece of armour that protects the forearm. It's the metal guard worn on the arm below the elbow.
He buckled on his vambrace before drawing his sword.
To disappear or fade away. Often used when something gentle or kind slips away from someone—like a thought leaving your mind, or a quality draining from a moment.
The kindness vanished from his face.
In Shakespeare's day, a character in morality plays—a puppet or mask representing human folly and empty pride. It can also mean an illusion or something that looks real but isn't.
A stronger or better position than your opponent—physical, tactical, or circumstantial. It can also mean an opportunity to strike or act, or a gain you win from something.
The swordsman had the vantage: his enemy was cornered and tired.
A piece of armor that covers the front of the forearm. Knights wore these to protect their arms in battle.
He buckled on his vantbraces before drawing his sword.
Like mist or steam—insubstantial and hard to grasp. In Shakespeare's time, people believed the moon shed a magical dew on certain plants during spells, and they called that shimmering coating vaporous.
A vaporous charm that vanishes when you touch it.
A regional way of saying "very." Shakespeare uses it to show that a character speaks with a country accent or informal speech.
"That vara good." — meaning that's very good, in a rural or northern dialect.
Changing or different from place to place. Shakespeare uses it to describe landscapes or seascapes that shift and vary as you look across them.
A different version or form of something. The many ways a thing can appear or be done.
The musician played several variations on the same tune.
A young man or boy serving a knight or nobleman—often as an apprentice learning the skills of a gentleman. The word can also be an insult for a rascal or contemptible person.
The common rabble or mob. People of low rank or standing, especially when they're making a loud, rowdy fuss.
The varletry in the streets grew louder as the procession passed.
To express something in different ways, or to change from one form to another. Shakespeare often uses it to mean reshaping words or ideas—turning a phrase around, swapping the order, finding new language for the same thought.
A person in a servile position; someone who acts like a slave or grovels. Shakespeare uses it to mean contemptibly low or submissive in character.
A vassal wretch who bows and scrapes to every lord.
The group of people who owe loyalty and service to a lord or ruler. Used to talk about that whole network of dependents together.
The king's vassalage grew restless after years of heavy taxation.
Immense, stretching endlessly. Often carries a sense of emptiness or desolation—a huge space that feels lonely or barren.
The vast ocean stretched before them, dark and without end.
Huge scale or extent. Shakespeare uses it to describe something so broad or boundless it's almost hard to grasp.
The vastidity of the ocean stretched before them, endless and unknowable.
Across a wide empty space, or over a great distance. Shakespeare uses it to describe something spread out, lonely, or reaching far.
The wasteland stretched vastly before them, nothing but ruins for miles.
Huge and empty. Shakespeare uses it to mean vastness—think of a huge, barren space with nothing in it.
I can call spirits from the vasty deep.
A vaulted or arched space underground—like a cave or cavern. Shakespeare uses it only once, in a poetic moment describing something deep and hollow.
Arched and hollow, like the inside of a vault or cave. Shakespeare uses it to suggest both the physical curve of a stone arch and the empty, echoing space beneath it.
The vaulty heaven spreads above like the curved roof of a tomb.
The beginning or opening phase of something—especially conflict or trouble. The first signs or early stirrings.
The vaunt of the war was chaotic, but neither side saw what lay ahead.
A messenger who arrives ahead to announce something grander coming behind. The advance guard of glory.
Lightning is the vaunt-courier to thunder—it warns you of what's about to shake the earth.
The front or leading part of something. Often used to describe the earliest stage of life, a season, or a movement.
The vaward of our youth—those first bright years before we knew better.
Plants grown for food, especially leafy greens and root vegetables. In Shakespeare's time, this meant the produce from a garden or farm.
The cook prepared vegetives from the market for the evening feast.
A mood, disposition, or particular style. Someone might be in a cheerful vein, or speak in the vein of a famous poet—meaning their current frame of mind or way of doing things.
He was in a giving vein that day, generous with both money and time.
Velvet—a plush fabric with a soft, dense pile. In Shakespeare's time, it was expensive and worn by the wealthy and fashionable.
A nobleman's cloak trimmed in velure would announce his rank and means.
Rich, smooth, comfortable—the way wealth and ease feel. Shakespeare uses it for people and situations that are sleek and fortunate.
his velvet friends—the wealthy, privileged people he kept company with.
Men who wore velvet trim or fancy decorative bands on their clothes. A cutting term for show-offs dressed in expensive finery.
A thrust or pass in fencing—a quick, sharp move. Shakespeare often uses it as a figure of speech for a witty remark or clever exchange in conversation.
A sweet touch, a quick thrust of wit!
Harm or damage. Also used as an exclamation of annoyance or surprise, like "What the—!" today. When used as an adverb ("vengeance proud"), it means to an extreme degree.
Driven by a desire to punish someone who has wronged you. Someone vengeful holds onto hurt and looks for ways to strike back.
A vengeful enemy plots to destroy the man who betrayed him.
Latin words spoken by Julius Caesar to describe a swift, decisive victory. Shakespeare uses it to show off learning or to mock someone bragging about an easy win.
A braggart might cry 'Veni, vidi, vici!' after winning a card game.
Gold thread made in Venice, prized for embroidery and decorative work. It was a luxury material that showed wealth and status.
A doublet trimmed with Venice gold would have cost a fortune.
Wild animals hunted for food, especially deer. In Shakespeare's time, hunting venison was a privilege of the wealthy and nobility.
Poison, especially the kind that comes from a creature like a snake or toad. Shakespeare also uses it for anything harmful or malicious — a bitter word, a cruel action, a poisoned mind.
A snake's venom kills. So does a lie told with venom.
Poisoned or filled with venom. Shakespeare uses it both literally (for something toxic) and figuratively (for words or feelings that wound like poison).
A slanderous accusation is a venomed spear that wounds without drawing blood.
Deeply harmful or destructive. Shakespeare often uses this to describe words, emotions, or people that poison others — not with actual venom, but with cruelty or malice.
A venomous insult can wound as deeply as any physical blow.
As a noun: an opening or outlet—a hole, gap, or passage. Also the act of speaking or expressing something freely. As a verb: to let something out or express it, especially feelings or words.
A wound that bleeds at many vents; to vent one's anger in words.
A hole in a wind instrument like a flute that you cover or uncover with your finger to change the pitch. Shakespeare uses it to mean any small opening that lets air through.
The musician's fingers dance across the ventages to make the flute sing.
In Shakespeare's time, people believed the brain had three chambers. The ventricle was thought to be the part where memory lived—where you stored what you'd seen and learned.
A daring or bold person. Someone willing to take risks.
A bout or round in fencing—a thrust or pass with a sword. Shakespeare uses it to mean a turn or attempt in combat or any back-and-forth exchange.
They traded venues of wit, each trying to land the sharper quip.
Spring—the season when plants grow and flowers bloom. Shakespeare sometimes uses this Latin word in plays that reference classical settings or gods.
Given to speaking freely, sometimes at great length. Can mean blunt and direct, or it can mean wordy and full of empty chatter—Shakespeare uses it both ways.
A verbal sparring match between two characters trading insults and clever wordplay.
Word for word, exactly as spoken or written. Not paraphrased or summarized.
He repeated her insult verbatim so everyone would know what she'd said.
The extent or boundary of a place—especially the grounds and jurisdiction around a royal court. It can mean any enclosed space or area under someone's authority.
Within the verge of the palace, the king's law held absolute power.
To confirm or testify to the truth of something. In Shakespeare, it means to assert or bear witness to what is real.
They have verified unjust things—sworn to falsehoods as if they were fact.
The quality of being truthful and honest. In Shakespeare's time, it was a virtue prized alongside justice and self-control.
Relating to or affecting the whole world. A shorthand for 'universal' that Shakespeare's audiences would have recognized without a blink.
The versal world watched as the king made his choice.
Composing or reciting something in verse, usually poetry. Shakespeare uses it to mean putting words into poetic form, often with rhyme and meter.
The poet spent all night versing his love letter before finally giving up.
Real, actual, genuine—the thing itself, not a copy or imitation. Also used to mean complete or thorough, or (as an adverb) to mean exactly or quite.
He is a very fool—a fool through and through.
Evening, or the time of day when the sun is setting. Shakespeare often uses it to mean the last part of the day.
The vesper bell rang as darkness crept across the castle.
A container—often a ship or a cask. Shakespeare uses it figuratively for the human body, or for a person themselves. A 'weaker vessel' means a woman.
A tempest, which his mortal vessel could not survive.
A virgin priestess devoted to chastity and the sacred duty of tending a holy fire. In Shakespeare's time, the word was often used more broadly to mean any chaste or pure woman, or even jokingly to describe a kitchen maid responsible for keeping the hearth alive.
A fair vestal throned in the west—a chaste and noble woman.
Clothing or covering, especially as worn by the body. Shakespeare often uses it metaphorically for the body itself—the physical vessel that holds your essential self.
A king's golden robes are just vesture; strip them away and he's mortal like anyone else.
To trouble or upset someone, whether by irritating them outwardly or tormenting them in spirit. The word covers everything from physical disturbance to emotional turmoil.
The vexed sea churns as wildly as a man driven mad by grief.
Deep irritation or distress; the state of being troubled or tormented. A painful uneasiness that weighs on your mind.
The news brought him nothing but vexation and sleepless nights.
An exclamation urging someone to continue—to keep going, speak up, or carry on with what they're doing.
Via, tell us what happened next!
A small bottle or flask, typically used to hold liquids. Shakespeare often refers to tear vials — tiny vessels imagined to collect a person's tears as a sign of grief or devotion.
Fill the sacred vials with your sorrowful tears.
A moral failing or sin. Shakespeare often uses it for a character flaw or wicked act. In some plays, *Vice* is also a stock comic character—a bumbling fool or trickster, often paired with the devil.
He laughed at his own vice instead of feeling shame for it.
Someone who rules or acts on behalf of another person—usually a king or god. A stand-in with real power.
The king's vicegerent governed the province while the king was away at war.
Faulty or defective. Something marred by a flaw or imperfection, especially a blemish or weakness in nature or character.
A vicious mole of nature—a birthmark or moral flaw—can shape a person's whole fate.
Winning; victorious. Used to describe someone or something that has triumphed in battle or contest.
A victor sword—one that has won the day.
That is to say; in other words. A formal way to clarify or specify what you just mentioned.
The three of us—videlicet, you, me, and him—will handle it.
A Latin phrase Shakespeare uses to mark a character's sudden appearance or arrival. One person asks if the other sees who's coming; the answer confirms they do and expresses delight at it.
To compete or try to outdo someone else. Originally a gambling term—you'd stake your claim and let the other player match or raise it. In Shakespeare, it often means to rival someone in quality or achievement.
The two actors vied for the best role in the company.
The act of looking at something, or the ability to see it. Can mean a quick glance, a careful inspection, or simply being in sight of someone.
Force the letter to my view — let me see it.
Invisible; not able to be seen. In Shakespeare's time, this often meant something unseen or hidden from view, like wind or a ghost.
The viewless wind carries sound but leaves no trace.
The night before a religious feast day. In Shakespeare's time, people often fasted or kept watch on this eve as preparation for the holy day itself.
The vigil before Christmas was a time of prayer and fasting.
A mistake for 'vigilant'—watchful or alert. The word appears in Shakespeare's text, likely a slip by the playwright or a scribe's error.
Power or force — the strength something has to act or take effect. Shakespeare often uses it for the intensity of a quality or skill, like the combined force of natural talent and learned technique.
The poison's vigour would kill a man in hours.
Low in rank or status, or morally corrupt and harmful. In Shakespeare, it often means someone or something is deeply contemptible—either because they're beneath you socially, or because they're wicked and poisonous.
A vile beggar murdered the noble king.
In a wicked, base, or morally corrupt way. Also used to mean harshly or cruelly.
He spoke vilely of his former friend, sparing no insult.
Villages taken as a whole, or the collection of rural settlements in a region. Sometimes used to mean the countryside or rustic areas in general.
A peasant or servant—someone of low social rank. Shakespeare uses it playfully too, as an insult that isn't always meant seriously, or even as a term of affection among friends. Think 'you rogue' rather than 'you evil person.'
"Where are you going, you rascal villain?" (said with a grin, not genuine anger)
Eager to punish or get revenge. Holding a grudge and acting on it.
He was vindicative toward anyone who'd crossed him in business.
To make or become moldy. The word suggests something spoiled or decayed by moisture and age, like bread left too long in a damp place.
A stringed instrument with six strings, played with a bow. It's an ancestor of the modern violin, popular in Shakespeare's time for both solo and ensemble music.
The musician drew his bow across the viol's strings.
A stringed instrument held between the legs, played with a bow. It has a warm, mellow sound and was popular in Shakespeare's time for both solo and ensemble music.
The musician drew the bow across the viol-de-gamboys, filling the hall with deep, resonant notes.
Forceful, blunt action or speech. In Shakespeare, often means directness or boldness rather than harm—doing something with full strength and without softening it.
I'll speak my mind with violence—no hedging, no politeness.
To act with intense force or overwhelming power. In Shakespeare, grief or emotion can "violent" — surge up with such strength it dominates everything else.
Grief violents through her, wiping out all other thought.
Poisonous or venomous. Used figuratively for words or speech that are spiteful and harmful.
A viperous tongue spreads lies that wound deeper than any blade.
A Latin saying Shakespeare knew: wisdom often looks like silence. The person who speaks least tends to think most.
Untouched by sex; chaste. Also used to mean a person's right or status as a virgin — their sexual innocence as something precious and protected.
A girdle or belt that young unmarried women wore in ancient times, symbolizing their virginity. Shakespeare uses it as shorthand for a woman's chastity.
The loss of her virgin-knot meant she could no longer be married as a respectable maiden.
Pure, chaste, or untouched—like a young woman who has never been intimate with anyone. Shakespeare uses it to describe innocence and modesty.
Tears that flow pure and chaste, unblemished by guilt.
To play the virginals, a keyboard instrument like a small harpsichord. Shakespeare uses it as a figure for quick, light fingering or touching.
Moral goodness or excellence — what makes a person or thing worthy of respect. Also: courage, bravery, or any admirable quality. Shakespeare sometimes uses it to mean power or effectiveness, as in the strength of a remedy or a person's authority to act.
She praised his virtue—his honesty and bravery both.
Powerful and effective. In Shakespeare, it often describes something with real potency—a medicine, a potion, a quality that actually works and produces results.
A virtuous herb that cures the deepest wound.
In a way that's showy or overly refined—used mockingly to describe someone being precious or affected about how they speak or behave.
He virtuously complained about the wine as if he were royalty.
To afflict or punish someone. Often used for disease or hardship sent as punishment—like visiting a plague on someone, or punishing their wrongdoing.
The plague has visited the city with suffering.
A calamity or affliction sent as punishment—especially plague or disease. Shakespeare often uses it for sudden hardship that strikes a person or place.
The king saw the plague as God's visitation upon the kingdom.
Someone who comes to comfort another person spiritually—often a priest or minister offering counsel or prayer in times of hardship or grief.
The visitor brought prayers to the dying man's bedside.
A mask worn to hide or disguise the face. Often part of a helmet or worn at a masquerade.
He wore a visor so no one would know his true identity at the ball.
By voice; spoken aloud rather than written. In Shakespeare's time, it meant something was performed or expressed so people could actually hear it.
The actors delivered their lines viva voce to the whole theatre.
A disease in horses that causes swelling in the glands under the jaw. Shakespeare uses it as an insult, comparing a person to a sick horse.
You're nothing but vives and broken wind.
Deliberations or advice. A formal discussion in which people think something over together before deciding.
A mask or visor worn to hide the face. Often used at masquerades or disguises.
She wore a vizard to the ball so no one would know who she was.
Wearing a mask. Used to describe someone disguised or hiding their true face.
A vizarded stranger arrived at court, and no one knew who was underneath.
A person or thing held up as an object of ridicule or scorn. See flouting-stock.
The grammatical case used when addressing someone directly by name or title. In Latin, it has its own special forms; in English, we just use a name with commas around it.
Is called or named. A Latin phrase Shakespeare uses when introducing a character or place by its formal name.
What you say or express—your words, opinion, or judgment. It can also mean your vote or support, or the general talk and reputation surrounding someone.
Give me your voice in this matter, and I'll know where you stand.
To leave or abandon. Also used for bodily functions like vomiting or urination.
The soldiers void the field before the enemy arrives.
A small room you pass through before entering the main chamber. A waiting area or passage between rooms.
The servant cooled his heels in the voiding-lobby before the lord would see him.
Quick and clever in speech or thought. Someone who thinks fast and talks fast.
A region in northern France that was a source of conflict between England and France during the Middle Ages. Shakespeare's audiences would have known it as a prize territory in dynastic struggles.
A large amount or quantity of something—often used for a heap of insults or abuse. If someone can "bear volumes" of mockery, they endure a ton of it without breaking.
He'll bear volumes of contempt before he admits defeat.
Acting on impulse or without thinking things through. Someone hot-headed and quick to rush into action.
A voluntary soldier charges forward without waiting for orders.
A woman who has taken a vow—often religious, sometimes to a particular cause or person. Think of a nun, or any woman bound by a solemn promise.
She lived as a votaress, devoted to the temple and its rituals.
Someone devoted to a person or cause — a faithful follower or worshipper. Often used for religious devotion, but can mean loyal service to anyone or anything.
A votarist of the old queen would never turn to the new king.
Someone who has made a solemn promise or pledge, often a religious one. In Shakespeare's time, this usually meant a monk, nun, or someone devoted to a particular cause or person.
A votary swears to serve the monastery for life.
To swear something is true; to stand as a witness to it. In Shakespeare, characters vouch for facts or people without the 'for' that modern English needs.
I vouch his honesty — I've known him since childhood.
A person who confirms or guarantees something on behalf of someone else—especially in legal or business matters. In Shakespeare's time, a voucher might testify to prove you owned land or had a right to it.
To agree to give or allow something, often with a tone of doing someone a favour. It can mean to grant permission, or to deign to accept something offered.
If you'll vouchsafe to hear me, I have news.
Someone bound by the same oath or promise you are. In Shakespeare, often a companion in religious vows or a shared commitment.
The two nuns were vow-fellows in the convent, pledged to the same life of service.
Your voice—the sound that comes out when you speak. In Shakespeare's time, this Latin word sometimes appeared in English text to mean voice in a loud, forceful, or frantic way.
A cuckold's horns. The allusion comes from Vulcan, the Roman god of fire and metalwork, whose wife Venus was famously unfaithful. Shakespeare uses the name as a knowing joke about a betrayed husband.
A man bearing Vulcan's badge was thought a fool, though not by his own making.
The common people, or ordinary folk as opposed to the nobility. Sometimes used dismissively to mean the masses or the rabble. Can also refer to the everyday language people speak rather than formal or learned speech.
The vulgar crowd gathered in the streets, while the nobles watched from their windows.