o diable, diable! interjection
A French exclamation calling out to the devil—used as a curse or oath of frustration, anger, or amazement. Characters use it to add continental flavor or to mark themselves as worldly or emotionally heightened.
251 words starting with O.
A French exclamation calling out to the devil—used as a curse or oath of frustration, anger, or amazement. Characters use it to add continental flavor or to mark themselves as worldly or emotionally heightened.
A French exclamation calling out to the living God. Used to express shock, dismay, or urgent appeal.
A character swears by the living God when something terrible happens.
A shortened form of "of" or "on" that Shakespeare uses all the time. You'll see it in phrases like "o' the clock" (of the clock) or "man o' war" (man of war).
"A man o' the world" means a man of the world — someone experienced and worldly.
A servant or follower who is eager to please and obey. Someone who watches carefully for any chance to be useful.
The king's o'bservant waited by the door, ready to fetch whatever he might need.
A shortened form of "of the clock," used to tell time. You'd say "three o'clock" to mean three hours struck by the clock.
The bell tolls three o'clock, and still he has not arrived.
over; across
How happy some people can be, while others are not!
Worn away or damaged by being consumed bit by bit. Used figuratively to describe something hollow or ruined—like faith that's been nibbled at until nothing solid remains.
To watch someone or something carefully and closely. To keep a vigilant eye on.
The captain o'er-eyed the crew as they loaded the ship.
Covered with ornate carved details or decorative flourishes. The word describes something so heavily decorated it's almost overloaded with fancy work.
A trunk o'er-flourish'd with carved vines and scrollwork.
To use your official position to boss someone around or take unfair advantage. The person throws their power in your face.
A corrupt official who o'er-offices the townspeople, milking them for bribes.
To catch up to someone or something by moving faster or farther. Can mean to go past them entirely.
The faster horse will o'er-reach the one ahead.
To flow over or flood something. Also means to overwhelm or overpower, as if flooding someone with force or cunning.
I will o'er-run thee with policy — I'll drown you in my schemes.
Twisted or bent too far out of shape. Pushed past its limit until it breaks or warps.
An o'er-wrested argument that snaps under its own weight.
To sweep over and crush something with force, the way a flood drowns the land. To overwhelm completely.
A storm that beats down everything in its path.
To blow away or scatter something by wind. In Shakespeare, often used of something passing quickly or being dispersed.
Completely stuffed or overfed. The feeling of having had so much of something—food, pleasure, anything—that you've gone past satisfaction into excess.
After weeks of feasting, the court was o'ercloyed and craved simpler fare.
To spread over or cover completely. Something that floods or swamps a place or person.
Weeds o'ercome the garden when no one tends it.
To be more numerous than someone else. To outnumber.
The king's army would o'ercount the rebels by thousands.
To overpower or crush someone completely. To dominate so thoroughly they can't resist.
The invading army will o'ercrow the city's weak defenses.
Dyed over a second time, usually to hide the original colour or cover imperfections. Shakespeare uses it to mean something deceptive or artificially covered up.
A black cloth dyed again to look fresh, but the dye doesn't hold—like a lie painted over.
To spill over or gush out. The word condenses "over" and "flow" into a single urgent action — liquid (or emotion, or speech) bursting its bounds.
Tears o'erflow her cheeks as she learns the terrible news.
To cover up something bad or wrong by making it look nice on the surface. It's a deceptive kind of prettying-up — hiding rot under fresh paint.
A smooth lie can o'ergreen a selfish heart.
Overgrown or covered thickly—usually with hair or vegetation. Can also mean unusually large or bloated.
A man so o'ergrown with beard he looked half wild.
To jump over something, or to skip past it. Can mean literally jumping across a gap, or figuratively leaving something out or ignoring it.
A step I must jump over.
To look over or examine something closely. Can also mean to cast an evil eye on someone, or to bewitch them.
I wish I had looked over that letter before sending it.
To have someone completely in your power or control. To master or overcome someone entirely.
His anger could o'ermaster his better judgment.
Given a role or task that's beyond your skill or ability. An actor cast in a part too hard to pull off.
He felt o'erparted when asked to lead the whole company.
To rise above or tower over something. To look down on from a greater height or position of dominance.
The castle's walls o'erpeered the surrounding villages.
To fly over or above something. A bird soars past a perch rather than landing on it.
The hawk will o'erperch the tower and head for open sky.
To be more beautiful or striking than a painted picture. To outshine even the finest artwork.
Her beauty could o'erpicture any portrait ever made.
To travel or move past something quickly. Often used for riding fast on horseback or rushing through a place.
The messenger o'erposted the hills to reach the castle by dawn.
To go beyond or surpass something in value or quality. To be worth more than.
Her beauty o'erprized all that came before.
To go past your target or overshoot the mark—to miss by going too far. Often means overstepping a limit or doing too much.
In your anger, you o'ershooted what was needed and made things worse.
Went past the mark or target. You overshoot when you aim or move too far and miss what you were aiming for.
The arrow o'ershot the deer and flew into the forest.
To coat or cover something thickly, as if with sizing (a stiff glue used on fabric). Shakespeare uses it to describe surfaces coated with blood or other matter.
A doublet o'ersized with gore—caked with blood from the fight.
To ignore or brush past something without paying attention to it. To leap over a thing as if it doesn't matter.
He would o'erskip the warning and walk straight into danger.
To slip past or let something pass by without noticing. You glide over it without catching it.
Don't o'erslip this chance—it won't come twice.
To stare someone down. To hold their gaze so intensely they have to look away first.
He tried to o'erstare his rival, but flinched when the man wouldn't break eye contact.
To smell worse than something else. The prefix o'er- (over) intensifies the verb stink into a comparison.
Even the sewer o'erstinks the rotting fish left in the sun.
Scattered or spread thickly across a surface. In Shakespeare's time, floors were often covered with rushes or straw for warmth and cleanliness.
The hall was o'erstraw'd with fresh rushes for the feast.
To hold power over someone or something; to dominate or rule. Can also mean to win out over, or to sway someone's mind through authority.
The king's will o'ersways all other voices in the court.
Worn out from bearing too many children. A woman's body depleted by constant pregnancy and childbirth.
A poor woman with many pregnancies had o'erteemed loins.
To get drunk or be overcome by alcohol. Shakespeare uses it to describe someone who has had too much to drink.
The guard was o'ertook with wine and fell asleep at his post.
To stumble or trip. The prefix o'er (over) intensifies the sense of falling or losing your footing.
He o'ertripped on the stairs in his haste to escape.
To be worth more than something else. To exceed in value.
No jewel could o'ervalue her kindness.
Exhausted from staying awake too long or watching too carefully. The kind of tired that comes from strain and vigilance rather than simple lack of sleep.
An o'erwatched guard might miss the very danger he's trying to spot.
To think too highly of yourself or overestimate your own abilities. It's arrogance dressed up as confidence.
A hot dog who o'erweens himself will pick a fight he can't win.
To hang over and cover something, the way a heavy brow can shade the eyes. Used mostly in poetry to describe how one thing obscures another.
His scowling brow o'erwhelms his eyes, casting them in shadow.
Worn down by time or use; shabby and faded. Can also mean exhausted or depleted.
The wood of an oak tree, prized for its strength and hardness. Often used in imagery of something solid and enduring.
To row a boat using oars. You pull the oars through the water to make the boat move.
The ferryman oared us across the river.
A solemn promise or vow, often sworn before God or invoking divine punishment for breaking it.
Oh, understand, sweet, my innocence! Love understands in the language of love. I mean, my heart is bound to yours So that we can make just one heart of it; Two chests locked together by an oath; So two chests and a single promise. So don't deny me a bed by your side; For lying here, Hermia, I am not lying.
Worthy of being sworn upon. Someone oathable has the kind of character or standing that makes them trustworthy enough to swear by.
A halfpenny—the smallest coin in circulation during Shakespeare's time. Used as shorthand in accounts and inventories.
Not worth an ob to the poorest beggar.
Stubborn and refusing to change, no matter what. Someone obdurate won't listen to reason or soften their position.
His obdurate refusal to forgive made peace between them impossible.
Ready and willing to follow orders or rules. Moving or acting under someone's command or control.
To follow orders or respond to a command. In Shakespeare, it often means to move or act in response to something—like a physical object obeying a force, or a person obeying a call.
The ship's sails obey the wind.
A demon name that Shakespeare borrowed from a book about fake exorcisms. The character King Lear uses it when he's mad, ranting about spirits.
A person or thing that stirs emotion — love, pity, desire, disgust. Something you can see or perceive; what presents itself to your eye or mind.
Her beauty was the object of his affection.
A charge or accusation against someone. When Shakespeare's characters raise an objection, they're making a claim that someone has done something wrong.
I dare your worst objection — bring it on.
A legal bond or contract that binds someone to do something or pay money. Shakespeare often uses it to mean a formal agreement or debt.
He made obligations to pay back the loan by harvest time.
Bound by a promise or oath. You've given your word and you can't take it back.
His obliged faith meant he would keep the secret no matter what.
Indirect, slanted, or not straightforward. When something is oblique, it doesn't go straight at you—it comes at an angle, hiding its true aim.
A oblique comment might seem innocent but carries a hidden insult.
Something that makes you forget or wipes memory away. In Shakespeare's time, it's often something magical or drug-like—a potion or power that erases what you know.
The magic drink was oblivious, and he forgot his own name by morning.
Harsh criticism or public shame. When someone's actions bring obloquy on themselves, they've earned a bad reputation.
He became the author of their obloquy—everyone blamed him for the scandal.
Disgusting or repulsive. Something that offends the senses or sense of decency so strongly it's hard to look at or stomach.
In a way that's offensive or indecent. Also used to mean extremely or shockingly—often in a tone of disgust or excess.
He spent obscenely on jewels while his people starved.
Dark, dim, or hidden from view. Also: lowly, humble, or undistinguished in rank or status.
An obscure grave in a forgotten corner of the churchyard.
In darkness or shadow; in a way that's hidden from view or kept secret. Not openly or clearly seen.
The lovers met obscurely in the garden at night.
A funeral ceremony or the ritual acts performed to honor someone who has died. In Shakespeare's time, this included prayers, processions, and burial rites.
The king ordered grand obsequies for the fallen general.
Excessively eager to please or obey. Often used for someone who shows elaborate respect, especially toward the dead through ritual and mourning.
He was so obsequious at the funeral that his grief seemed performed rather than felt.
Respectful attention or dutiful service to someone. It can also mean careful notice or watchfulness—the act of paying close attention to something.
He showed great observance of the king's wishes.
Careful attention to what someone says or does, or close watching in general. In Shakespeare's time, it often meant noticing subtle signs or reading someone's mood.
Her observancy of his fidgeting told her he was lying.
Close attention to something; what you learn by watching and noticing. In Shakespeare, it often means careful respect for ritual or custom, or the knowledge that comes from keen experience.
His brain was crammed with strange observation from years of travel.
To show respect and attention to someone, often by indulging their wishes or treating them as important. In Shakespeare, it can mean to court someone or flatter them.
The queen observed the visiting ambassador with careful courtesy.
Eager to please or obey. Someone who is observing goes out of their way to follow rules or show respect.
An observing servant bows low and speaks only when spoken to.
To block or get in the way of something. In Shakespeare's time, it could also mean to be an obstacle or barrier itself.
A blockage that stops something vital from flowing or working—especially blood in the body, or light being blocked out. In Shakespeare's time, doctors believed many illnesses came from the blood getting stuck or stagnant.
To lie in cold obstruction and to rot—death itself as the body shutting down.
A chance or opening to do something, or the reason something happens. Shakespeare uses it to mean both opportunity and cause—often the circumstances that create a need or trigger an action.
He looked for every occasion to prove his worth in battle.
A trade, craft, or line of work. In Shakespeare's time, it often meant skilled manual labor—the kind of work that gave ordinary people a voice in civic matters.
A blacksmith's occupation was respected; he had a trade.
To have sex with someone. The word became so crude and offensive that writers largely avoided it for the next 200 years.
Something that happens; an event or incident. Often something unexpected or notable enough to remark on.
The storm was a startling occurrent that caught everyone off guard.
A chopped-up version of 'God' used in swearing. Shakespeare and his contemporaries would splice it with random words—heartlings, nouns, pity—to create oaths that danced around actually saying God's name. It was a way to swear without technically blaspheming.
Not matching or fitting with something else; out of place or irregular. Can mean extra or left over, or something unusual and striking.
He collects odd ends of fabric—the scraps nobody wants.
Strangely or unusually made up. Something that came together in an odd, unexpected way.
An odd-conceited hat, stitched from mismatched scraps of silk and felt.
The time around midnight, or the dead of night. Shakespeare uses it to mark an eerie or supernatural moment.
The ghost appears at odd-even, when the world sleeps.
In an uneven or lopsided way. One side outweighs the other, or something falls unevenly.
The scales tipped oddly—one pan much heavier than the rest.
The balance of advantage or superiority in a situation—who has the upper hand, and by how much. Also: the chances or likelihood of something happening, or a quarrel or disagreement between people.
When she sided with him, the odds shifted in their favour.
A word Shakespeare uses where we'd say "off," "from," "by," or "with." It can mean separation (tear the skin *of* your forehead = tear *off* your forehead), origin (a madness *of* which her life's in danger = a madness *from* which), or the doer of an action in a passive sentence (disdained *of* all = disdained *by* all). Context tells you which.
"A madness, of which her life's in danger" — a madness from which her life is in danger.
Away from or away. In phrases like "be off," it means to leave or depart. Can also mean beside the point or missing the mark—off-topic.
To take off your hat or cap, usually as a sign of respect or greeting. A gesture of deference or courtesy.
He offcapped when the king entered the room.
A wrong action or transgression—something someone did that caused hurt or harm. It can mean the act itself, or the damage that resulted. Sometimes it means falling out of favor or being disgraced.
To do offence is to hurt someone; to take offence is to feel that hurt.
Full of sin or wrongdoing. Something that offends against morality or God's law.
Harmless; causing no injury or wrong. Not guilty of any fault.
An offenceless remark, meant only in jest.
To commit a wrong against someone or something—to break a law, hurt a person, or damage their reputation. Can also mean to get in the way or block something from working properly.
He hath offended the law by stealing from the king's treasury.
Someone who has hurt, wronged, or harmed another person. In Shakespeare's time, the word could refer to anyone from a petty thief to a traitor.
The king demanded that the offender be brought before him for judgment.
A breach or violation—stepping outside what's allowed or expected. In Shakespeare's time, it could mean anything from a minor wrong to a serious crime.
The king forgave the offending and welcomed the nobleman back to court.
To attack or make a move against someone. Also: to dare or presume to do something, often when you shouldn't.
He offers to command soldiers far braver than himself.
Given a specific role or duty. Someone who has been assigned an office or job to do.
A duty or service you're meant to perform. Also: the people who hold official power, or the practical workings of a household (like the kitchen). Shakespeare uses it for anything that does its job — the heart doing its office of beating, a friend doing the office of loyalty.
Someone who does a particular job or carries out orders—whether a servant in a household, a herald, or someone with an official duty. The word covers anyone working in a formal role.
A palace officer announced the queen's arrival.
Too eager to help or interfere. Someone who pushes themselves into situations and busybodies their way through, offering unwanted service or meddling advice.
An officious servant keeps rearranging your things without being asked.
Often; many times. A shorthand word Shakespeare uses to mean something happens repeatedly or regularly.
An exclamation with shifting weight depending on tone. It can mock, express triumph, or cry out in pain—the speaker's voice tells you which.
As a noun: advanced age or the later years of life. As an adjective: marked by age, worn, or long-established; also used to mean abundant or considerable (as in 'old abuse' = much abuse).
His old course meant his long-standing habit; the old cramps were severe, long-lasting aches.
A sign of something bad about to happen. In Shakespeare's time, people read omens in strange weather, animal behavior, or unusual events.
A comet crossing the sky—surely an omen of the king's death.
To leave something out or pass over it deliberately. To neglect or ignore.
He omits his brother's name from the family record.
The act of leaving something out or failing to do it. In Shakespeare's time, this word carried the weight of deliberate neglect as much as simple absence.
His omittance of the letter sealed their misunderstanding.
A Latin phrase meaning everything is fine or going well. Shakespeare uses it as a casual reassurance or sign-off between characters.
When all the arrangements are made, one character tells another: omne bene—all is well.
All-powerful, almighty. Shakespeare often uses this for comic effect, calling someone or something ridiculously all-powerful when they're clearly not.
A villain described as 'omnipotent' is one who thinks he can do anything—and usually fails spectacularly.
In Shakespeare, 'on' does several jobs. It can mean 'of' or 'from' ("the stuff that dreams are made on"). It can also mean 'against' or 'upon' depending on context. You'll see it in phrases like "on's" (of his) and "on't" (of it).
"The stuff that dreams are made on" — what dreams are composed of.
of it; a shortened form of 'on it'
Her eye is troubled by it: I can see it now.
At any time; ever. Shakespeare often uses it to mean "even once" or "at all"—as in, "if you could just do this one time." Sometimes it means "for once" (emphasizing an action that rarely happens) or "once and for all" (settling something completely).
"If you could apologize even once in your life, that would be something."
Owning so little that everything you have fits in a single trunk. A sharp way to describe someone poor or traveling light.
A one-trunk-inheriting servant with no prospects and nowhere to go.
A person of importance or authority—likely a town official or magistrate. The exact meaning is lost to time, but Shakespeare uses it alongside other titles of civic rank.
Tearful, with eyes watering like someone cutting onions. A playful way to describe being moved to tears.
The sad news left him onion-eyed, tears streaming down his face.
The beginning or start of something. When something kicks off or gets going.
The onset of winter brought frost to the fields.
A semi-precious stone, usually black or dark, prized for jewelry and ornament. It's a type of quartz with bands or layers of colour.
Public or visible to everyone. Also means frank and generous—someone with an open hand gives freely without holding back.
His guilt was open for all to see.
A medlar fruit. Shakespeare uses this as a joke—medlars were once called 'open-arse' because of their shape, and this is a playful, censored way of saying it.
Watchful and alert. Open-eyed means aware of what's happening around you, paying close attention.
An open-eyed conspiracy—one that nobody misses.
Someone who reveals or discloses something hidden. In Shakespeare's time, often used for a person who speaks first or breaks silence about a secret.
Active and powerful; working with full force. Something operant is doing its job and doing it strongly.
thy most operant poison — a poison that truly works
Power to produce an effect or do harm. The active force or working quality of something—what makes it dangerous or useful.
A poison has operation: it works on the body and kills.
Your reputation or how people judge you—for better or worse. Shakespeare uses it to mean everything from public gossip and blame to your own sense of self-worth, whether that's cocky arrogance or earned confidence.
He lost his good opinion when the scandal broke.
Shakespeare sometimes uses this word when he means importunity — persistent pestering or urgency. It's a confusion we'd catch today, but it slipped past in his time and others' too.
To expose or lay open to view. Also: to resist or stand against something.
She opposed her beauty freely to the crowd's gaze.
Standing against something or someone. Can mean opposite in position or nature, or actively hostile and in conflict.
The opposed armies faced each other across the field.
Impossible to resist or stop. Something so powerful that no one can stand against it.
The king's opposeless army swept across the kingdom.
Facing or placed across from something else. In Shakespeare's time, it could also mean contrary or hostile.
An enemy or adversary. Someone you're in conflict or competition with.
The general faced his opposite across the battlefield.
A person or force set against you in combat or conflict. Also used for the act of fighting itself, or the general state of being at odds with someone.
The general faced strong opposition from the enemy's best warriors.
To push down or crush — physically or by weight of trouble. In Shakespeare, it often means to burden someone with hardship or worry, or to keep something from breaking free.
Grief oppressed his heart so heavily he could barely speak.
Weighed down by something troubling. In Shakespeare, often means burdened by sorrow, worry, or hardship.
Eyes heavy with grief and exhaustion.
A heavy burden or weight—physical, emotional, or circumstantial—that presses down on you. In Shakespeare, it often means the weight of sorrow, trouble, or hardship.
The oppression of grief made it hard for her to speak.
A clash or conflict between two things. When forces or ideas fight against each other.
The oppugnancy between his love and his duty tore him apart.
Before; also used in the phrase 'or ever' (meaning 'before ever'). Also introduces alternatives: 'either...or' when presenting options, or sometimes appears in pairs where no real choice is meant—just a way of adding emphasis or description.
Or ever I had seen that place, I knew its reputation.
A dull yellowish-brown color, like old rust or faded cloth. The kind of dingy tan you see on aging leather or weathered wood.
A man with an orange-tawny beard—not bright, just worn and yellowed.
Someone who speaks on behalf of another person or idea. An advocate or spokesperson. In Shakespeare, often means anyone making a persuasive speech.
Beauty needs no orator—it convinces the eye all by itself.
A sphere or globe—in Shakespeare's time, usually a heavenly body like the sun or moon, or the earth itself. The word draws on old astronomy, where planets and stars were thought to move in invisible spheres around the earth.
"The fiery orbs above" — the stars and planets in the sky.
Round like a ball or sphere. Shakespeare often uses it for the sun or the earth—things that are naturally globe-shaped.
The orbed sun sank below the horizon.
To set up or establish something by decree or decision. To arrange or design something for a particular purpose.
The king ordained a festival to celebrate the victory.
A plan or set of steps to get something done. When someone says "take order," they mean to make arrangements or take action to handle a situation.
We'll take order to ensure the town runs smoothly.
In the proper or expected way. According to the rules or the usual order of things.
The ceremony proceeded orderly, each guest welcomed in turn.
A law or command handed down by authority—whether by God, a ruler, or custom. In Shakespeare's time, it could mean divine will, established practice, rank in society, or even military equipment like cannons.
In control; directing things. Shakespeare uses it to describe someone who's running the show or steering events.
A cheap public meal served at a fixed price in a tavern or eating-house. Shakespeare uses it to mean a regular or common occurrence, like "the ordinary run of things."
He ate at the ordinary every night, same stew, same price.
Ordered, arranged, or governed by divine plan. The word points to a kind of cosmic order — the sense that what happens follows God's design, even when we can't see it.
A part of the body that does a particular job—like your hands, eyes, or voice. Shakespeare also uses it to mean a tool or means of doing something, as if the body or mind were an instrument with different working parts.
"Hath not a Jew hands, organs, dimensions, senses, affections, passions?" — listing the physical and emotional equipment we all share.
A voice or throat, especially when singing or speaking powerfully. Shakespeare uses it figuratively to mean the instrument of sound itself — your mouth and breath working together.
A character might praise another's organ-pipe to mean their beautiful or commanding voice.
Proud in a way that's arrogant or overbearing. It's an old-fashioned way to describe someone puffed up with their own importance.
An orgillous nobleman who believes no one deserves his company.
Lustrous and precious, like the finest pearls from the East. Shakespeare uses it for tears that shine with special brilliance or beauty.
an orient drop (a tear gleaming like a perfect pearl)
An opening or hole. Shakespeare's spelling of what we'd now call an orifice—an entrance, exit, or gap in something.
First in time or order; the earliest version or source of something. Where something comes from.
The original manuscript shows what Shakespeare actually wrote before anyone else changed it.
A prayer, usually spoken aloud. In Shakespeare's time, a formal or earnest plea to God.
She knelt to say her orisons before bed.
Clothing, gear, or equipment — anything you wear or carry. In Shakespeare's time, it often means the formal or fancy stuff that marks who you are.
A king's ornaments — crown, robes, jewels — show his power.
Without a father. Shakespeare uses it to describe someone—or something—left fatherless, either by death or abandonment.
A scrap or leftover of food. Shakespeare uses it figuratively too, to mean a worthless remainder or crumb of something precious — what's left when the best is gone.
A beggar picking up orts from a rich man's table.
A person who spells words correctly or studies spelling. Shakespeare's editors debated whether he meant this word or a different one, but the meaning is clear enough: someone concerned with how words are written.
A large hawk that hunts fish from the water. It dives fast and has sharp talons built for grabbing slippery prey.
The osprey circled above the river, watching for movement below the surface.
A display or show of something—especially a public one meant to impress. Shakespeare uses it for grand shows of power, emotion, or intention.
The general's show of military strength was mostly theatre.
To display or show something openly, often with the aim of impressing or drawing attention to it.
A showy or flashy display meant to impress people. Shakespeare often uses it as a criticism—he's calling out someone's need to draw attention to themselves.
All that gold embroidery is pure ostentation.
A stable worker who looks after horses at an inn. He feeds them, grooms them, and readies them for travelers.
The ostler brought fresh horses while we ate dinner at the tavern.
Different from something already mentioned or understood. Used to point out something separate, additional, or of a different kind.
In a different way; otherwise. A regional word, especially in the Midlands and North, that Shakespeare's audience would have recognized.
additional people; the rest of a group
Enter OCTAVIUS CAESAR, DOLABELLA, THYREUS, with others
Now and then; occasionally. Used when something happens or is true some of the time, not all the time.
Otherwhiles he'd fall silent for hours, lost in thought.
A person from the Ottoman Empire, or a Turk. Shakespeare's audience would have known Ottomans as a powerful Muslim empire that bordered Christian Europe.
A brooch or clasp, often ornate and jeweled. Shakespeare uses it loosely to mean any precious gem or piece of jewelry.
She wore brooches, pearls, and ouches—all the finery of a wealthy woman.
Owed or was supposed to pay back. An old form of the word 'owe'—used mostly when someone had a debt or obligation to you.
A French exclamation meaning "yes." Shakespeare uses it for comedy or to suggest a character is French, pretentious, or showing off.
A character might cry "Oui!" to seem worldly or to create a quick joke about French manners.
A wild cat with tufted ears and a spotted coat, found in forests and mountains. Shakespeare uses it as an image of grace and danger.
The ounce moves through the woods like silk and claws.
A mischievous sprite or goblin—a supernatural creature from folklore, usually small and playful. Shakespeare uses this to mean an elf or fairy.
We or us; the reflexive form referring to the speaker and others as a group.
Our solutions often lie within ourselves, Which we blame on fate: the sky we're born under Gives us freedom, but sometimes holds us back When we're not focused.
A blackbird. Shakespeare sometimes uses it as a nickname for someone with dark hair or a dark complexion.
As an adverb: away, abroad, or finished. "My money is out by lease" means it's in someone else's hands. "We are out" means we've quarreled. As a preposition: from within, outside of. As an interjection: a cry of disgust, anger, or horror—like shouting at someone to get away.
"Out, dog!" he cries, driving the creature from the room.
Made from; crafted or derived from something. When you make something out of a material or source, you're using that thing as your raw ingredient.
A sword made out of steel; a cake made out of flour and eggs.
To be even more violent or tyrannical than someone already known for being cruel and over-the-top. Shakespeare borrowed this from old religious plays, where Herod was the loud, bullying villain—so to out-herod him means to outdo even that.
His rage was so extreme, he could out-herod the worst tyrant in memory.
To surpass someone in beauty or impressive appearance. To be more striking or handsome than.
Her radiance would outbrag the finest jewels in the kingdom.
To surpass someone in courage or boldness. Can also mean to outshine in beauty or appearance—to be more striking or splendid.
Out of breath; exhausted from exertion. The word captures that moment when you've run hard and can barely speak.
After chasing the thief through the market, the guard arrived outbreath'd at the city gate.
To burn completely until nothing is left. The fire consumes something entirely.
The candle will outburn the night and leave only wax behind.
To be more cunning or clever than someone else. To outmaneuver through wit or deception.
He tried to outcrafty his rival, but she saw through his scheme.
To be bolder or more daring than someone else. Or: to face down and defy someone through sheer nerve.
He outdared his rival by walking straight into danger.
To stay somewhere longer than you should or longer than someone else. To outstay.
He outdwelt his welcome at court.
To stare someone down and make them uncomfortable or ashamed. It can also mean to defy or resist something boldly, or to brazenly cover up a fault and pretend it's not there.
He tried to outface her anger, but his voice shook.
To intimidate or bully someone with bold, aggressive behavior. Acting tough and overbearing to push your way through.
A soldier outfacing the townspeople to demand food and shelter.
To mock or laugh away something serious—to deflate it with jokes and wit. A fool might outjest a difficult truth, trying to turn it into comedy so no one has to face it.
To banish someone from the kingdom or declare them no longer protected by law. In Shakespeare's time, this was a serious punishment that made a person legally defenseless.
The king threatened to outlaw anyone who sided with the rebellion.
To stay alive longer than someone else, or to survive past a certain time or event. In Shakespeare, characters often worry about outliving their children or their reputation.
A parent fears that sorrow will outlive their own years.
To stare at someone or something directly, often with boldness or challenge. In Shakespeare's time, a steady look could be a sign of courage—or rudeness.
He tried to outlook his rival, unwilling to be the first to look away.
To talk or boast more extravagantly than someone else. A theatrical way of saying you'll out-do them in some competitive claim or story.
To be better or more impressive than someone else. To outdo or exceed in some quality or achievement.
Her courage seemed to outpeer that of the soldiers who stood beside her.
To be worth more than something else; to surpass in value or worth.
A diamond outprizes glass, no matter how it catches the light.
A violent fit of anger or rage. Loud, uncontrolled fury expressed in words or actions.
His outrage at the betrayal made him shout insults across the hall.
To be worth more than something else, or to surpass in value. Shakespeare uses it to mean one thing outweighs or exceeds another in importance or merit.
Her wit outsells her beauty in winning his heart.
To sleep longer than intended or expected. To oversleep past a deadline or appointment.
He outsleep his alarm and missed the morning meeting.
To describe something in a way that goes beyond what it actually is. To exaggerate or overstate the truth about someone or something.
No words can outspeak her courage—she's braver than any description of bravery.
To indulge or revel so hard you cross the line into excess. To let pleasure override good judgment.
Don't outsport your good sense at the party.
To extend or reach as far as possible. To push something to its fullest length or degree.
He outstretched his arm to catch the falling torch.
To strike faster or more forcefully than someone else. To outpace in violence or speed.
A faster method will strike harder than thought itself can move.
The outer wall or exterior surface of a building or fortification. The part you see from outside.
What you see on the surface—appearance, clothes, manner. The opposite of what's really going on inside someone. Can also mean external or on the outside of something.
A kind outward smile might hide a cruel heart.
On the outside; toward the exterior. To the world or to others—as opposed to what's hidden inside.
She had to smile outwards even though her heart was breaking.
To do better work than someone else. To surpass someone through skill or effort.
A master craftsman could outwork any apprentice in the shop.
To be worth more than something or someone else. To exceed in value or merit.
No amount of gold could outworth a loyal friend.
To read all the way through something; to finish reading a text from start to end.
To cover or mask something with red—literally to make red on top of something else. Shakespeare uses it to mean covering up fear or shame with a flushed, angry face.
Prick your face until it's red, and hide your fear under that blush of anger.
To catch up with and pass someone on horseback. A rider moves faster and gets ahead.
The messenger will over-ride his rival to deliver the letter first.
Finished or passed. Used mostly in a figurative way—like a storm that has blown itself out, or anger that has cooled.
Once my rage is overblown, I'll think more clearly.
To be bigger, stronger, or more impressive than someone else. To overwhelm by sheer size or force.
His broad shoulders overbulk the doorway.
To pay more for something than it's actually worth. You overpay and get the short end of the bargain.
To catch someone off guard or overwhelm them before they can defend themselves. In Shakespeare, often means to overpower or defeat someone suddenly.
The enemy's army overcame the town before dawn.
To watch or look at something carefully. To keep an eye on.
The guard stands at the gate to overeye all who enter.
More than enough of something; an excess or surplus. In Shakespeare's time, it often carries a sense of something spilling over or going to waste.
The harvest was so abundant it created an overflow of grain in the storehouse.
To look over something quickly or casually, letting your eye sweep across it without stopping.
To go beyond or exceed something. To overpower or crush someone under pressure or hardship.
Sorrow had overgo his strength, and he could bear no more.
To hear something a second time, or to hear it afresh. In Shakespeare's day, this often meant listening to a report or account of what someone else had already heard.
To think too highly of someone or something. You believe they're better or more important than they really are.
The outer layer of leather on a shoe or boot. It's the part you see and wear on the outside.
To live longer than someone else; to survive past another person's death.
She feared she would overlive her children and die alone.
To look down at something from above, or to survey and examine it carefully. In Shakespeare, often used for plants or trees that rise up and tower over what's below them.
Young shoots that overlook their parent stock, towering above it.
Watching over something or someone with authority. Supervision or management from above.
The captain's overlooking of the crew kept the ship in order.
Too energetic or exuberant. Someone acting with more vigor and high spirits than the moment calls for.
His overlusty jokes fell flat at the funeral.
To spend time or let time go by. In Shakespeare's day, this verb meant to pass through or consume a period of time.
How shall we overpass this long winter night?
To tower above or look down on something. Can mean literally rising higher than, or figuratively dominating or overlooking.
An amount left over; the extra beyond what's needed or expected. Often used in the phrase "in overplus" to mean excessively or more than enough.
Beaten too much; used as an insult for a woman, playing on the idea of a worn-out or debased person. The word puns on scutch (to beat flax or hemp) and switch (a rod or whip).
To watch over and manage something or someone; to supervise. In Shakespeare, it often carries the sense of overlooking or closing your eyes to something.
The steward will oversee the servants while you're away.
To shine brighter than something else, or to surpass in brilliance or excellence. Can mean literally to outshine with light, or figuratively to be better or more impressive.
Her talent will overshine all the other musicians in the room.
To get away from someone or something. To slip out of, dodge, or leave behind.
The thief tried to overshoot his pursuers by running through the market.
Missing the target or the point. Gone too far, or simply wrong.
His guess was overshot — he'd completely misunderstood what she meant.
To slip past someone without being noticed or caught. To escape attention or evade.
A lie can overslip the watchful eye if told with enough confidence.
To rule or control something with too much power. To dominate in a way that overwhelms or crushes opposition.
A tyrant who oversways the kingdom leaves no room for counsel or mercy.
To swear or take an oath a second time, or to swear again with emphasis. Often used when someone repeats a vow or solemn promise.
He overswears his love, insisting anew that he will never leave her.
To catch up with someone and match or equal what they've done. To do something as impressive or significant as someone else has done.
His courage has overtaken mine—he's now the braver of us two.
A defeat or loss in battle or conflict. To suffer an overthrow means to be beaten; to give someone an overthrow means to beat them.
The general feared his army would meet overthrow if reinforcements didn't arrive.
To go beyond or surpass someone. To leave them behind in speed, skill, or achievement.
An opening move or proposal offered to someone—what you put forward first to see if they'll accept. Can also mean a revealing or disclosure of something hidden.
He made the overture of peace, hoping the enemy would listen.
A close look at something to check its condition or understand what's going on. A careful inspection or survey.
The general took an overview of the troops before battle.
Worn down and damaged by wind, rain, and exposure to the elements. Weathered and beaten by harsh conditions.
To think too highly of yourself. To be arrogant or assume you're better than you actually are.
He overweens—imagining himself a great general when he's never won a battle.
Hanging or looming over something. Threatening to topple or crush from above.
The overwhelming cliff face blocked out the sun.
Used too often; no longer fresh or surprising. When something has been said or done so many times it's lost its effect.
That joke is overworn—nobody laughs anymore.
A northern English way of saying 'old.' Shakespeare uses it in a line from an old song, giving it a folk or rustic flavor.
To have or possess something. In Shakespeare's time, this was the primary meaning—to own or hold. It gradually shifted toward our modern sense of 'being in debt,' but both meanings were live in his plays.
You claim a title you don't actually own.
In control of yourself. Master of your own mind and actions. When Shakespeare says someone is "their own," he means they're not ruled by emotion, drink, or another person.
When no man was his own—meaning no one could keep their wits about them.
A man whose wife is unfaithful. The insult plays on the horns that supposedly grew on a cuckold's head—here imagined as an ox's horns. It's one of the cruelest jokes in Shakespeare's world.
A wildflower that looks like a cross between a cowslip and a primrose. It has pale yellow blossoms and grows in damp meadows.
The oxlip blooms in spring, dotting the forest floor with soft color.
A court official's call for silence and attention before making an announcement. It comes from French and literally means "hear." You'd hear this at the start of legal proceedings.
"Oyes, oyes!" the bailiff cried before the judge entered the courtroom.