, a brothel, or so forth. See you now; Your bait of falsehood takes this carp of truth; And thus do we of wisdom and of reach, With windlasses, and with assays of bias, By indirections find directions out. So by my former lecture and advice Shall you my son. You have me, have you not?
, a brothel, or something like that. See now; Your lie hooks this truth like a fish; And this is how we use wisdom and trickery, With turns and tests of influence, To find the right path through indirect methods. So, with my previous advice, You’ll do the same with my son. You understand, don’t you?
Polonius · Act 2, Scene 1
Polonius explains his method of uncovering truth through false accusations and misdirection to spy on his own son. The line persists because it is the clearest statement of the play's central problem—the collapse of the difference between seeming and being, between truth-telling and performance. Polonius calls this wisdom, but the play shows it is the gateway to destruction.
I would fain prove so. But what might you think, When I had seen this hot love on the wing, As I perceiv’d it, I must tell you that, Before my daughter told me, what might you, Or my dear Majesty your queen here, think, If I had play’d the desk or table-book, Or given my heart a winking, mute and dumb, Or look’d upon this love with idle sight, What might you think? No, I went round to work, And my young mistress thus I did bespeak: ‘Lord Hamlet is a prince, out of thy star. This must not be.’And then I precepts gave her, That she should lock herself from his resort, Admit no messengers, receive no tokens. Which done, she took the fruits of my advice, And he, repulsed,—a short tale to make— Fell into a sadness, then into a fast, Thence to a watch, thence into a weakness, Thence to a lightness, and, by this declension, Into the madness wherein now he raves, And all we wail for.
I want to prove that I am. But what would you think, If I had seen this intense love growing, As I noticed it, I have to tell you that, Before my daughter told me, what would you, Or my dear Queen here, think, If I had acted like a bookkeeper or a record keeper, Or just ignored it and stayed silent, Or just looked at this love without doing anything, What would you think? No, I took action, And this is what I said to my young daughter: ‘Prince Hamlet is far beyond your reach. This cannot happen.’ And then I gave her advice, That she should shut herself off from him, Not let any messengers in, or receive any gifts. After that, she followed my advice, And he, rejected, to keep it short, Fell into a deep sadness, then a fast, Then into a watch, then into weakness, Then into lightness, and, by this decline, Into the madness he is now in, And all of us are mourning.
Polonius · Act 2, Scene 2
Polonius defends his decision to forbid Ophelia from seeing Hamlet by outlining the cascade of consequences he believes he prevented. The speech stands out because it reveals how authority justifies itself through invented causality—Polonius convinces himself that his control saved his daughter when it actually destroyed her. His certainty about cause and effect becomes a map of the play's tragic logic.
This above all: to thine own self be true;
Above all else: be true to yourself;
Polonius · Act 1, Scene 3
Polonius is blessing his son Laertes as he departs for France, offering what sounds like wisdom but which the play will complicate and undermine. This line is taught in schools as counsel, but Hamlet's inability to follow it—caught between his own desires and his duty to his father—shows its limits. It reveals Polonius as a man offering platitudes while his children are pulled apart by forces beyond their control.