Character

First Murderer in Richard III

Role: Hired assassin and instrument of Richard's will First appearance: Act 1, Scene 3 Last appearance: Act 1, Scene 4 Approx. lines: 34

The First Murderer is one of Richard III’s most efficient and least reflective servants—a man willing to execute the Duke’s darkest commands without significant moral resistance. He appears twice in the play, first receiving his warrant from Richard to murder Clarence in Act 1, Scene 3, and then carrying out that assassination in Act 1, Scene 4. Unlike his partner, the Second Murderer, he shows little internal struggle or guilt. Where his accomplice wavers and ultimately abandons the deed, the First Murderer remains resolute, committed to the business of killing with the efficiency of a professional soldier hired for brutal work.

His character represents the infrastructure of tyranny—the men without conscience who make Richard’s rise possible. When Richard asks if he knows anyone “whom corrupting gold / Would tempt unto a close exploit of death,” the First Murderer embodies the answer: he is that man. He takes the warrant, asks no questions about morality or justice, and promises swift execution. His few lines are marked by matter-of-fact directness. He boasts that he and his partner will not “stand to prate” but will “come to use our hands and not our tongues.” This is the voice of a man for whom killing is simply labor, a transaction between employer and employee. He expects payment and performs his duty without elaborate justification or self-examination.

What makes the First Murderer dramatically interesting is precisely what he lacks: the capacity for remorse that briefly troubles his partner. The Second Murderer experiences moments of conscience, mentions judgment and damnation, and ultimately leaves the scene unable to bear the weight of what he has done. The First Murderer never hesitates. He drowns Clarence in the malmsey butt with the same professional detachment he might show executing any military order. He is the human instrument through which Richard’s will becomes fact, and in his absence of doubt or moral protest, he reveals something darker about Richard’s world than any villainous soliloquy could: that tyranny does not require demons, only ordinary men willing to do extraordinary harm for ordinary pay.

Key quotes

We are, my lord; and come to have the warrant That we may be admitted where he is.

We are, my lord, and we’ve come to get the warrant So we can be allowed to reach him.

First Murderer · Act 1, Scene 3

The hired murderers report that they have come to take Clarence into Richard's custody. The line matters because it marks the moment these men step across the threshold from soldiers into executioners, their obedience to Richard absolute. It shows how power flows downward through a chain of command, each link believing the one above justifies what is done.

We will, my noble lord.

We will, my noble lord.

First Murderer · Act 1, Scene 3

The murderers swear they will carry out Richard's orders without hesitation or question. The line endures because it is the promise of death, spoken simply and without doubt. It shows how Richard has assembled men who will do what he asks not out of passion but out of obedience, making him a machine for producing murder.

Tush! Fear not, my lord, we will not stand to prate; Talkers are no good doers: be assured We come to use our hands and not our tongues.

Don’t worry! Have no fear, my lord, we won’t waste time talking; Talkers don’t get things done: rest assured We’re here to act, not chat.

First Murderer · Act 1, Scene 3

The First Murderer dismisses any concern that they will hesitate or talk too much, asserting they are men of action, not words. The line works because it separates these men from society—they are proud of their willingness to kill, their refusal to be bothered by conscience or conversation. It shows how Richard attracts and empowers those who glory in violence.

Relationships

Where First appears

In the app

Hear First Murderer, narrated.

Synced read-along narration: every line, First Murderer's voice and the others, words highlighting as they're spoken.