Character

Agamemnon in Troilus and Cressida

Role: Supreme Greek commander; architect of policy and rhetorical persuasion Family: Brother to Menelaus First appearance: Act 1, Scene 3 Last appearance: Act 5, Scene 9 Approx. lines: 53

Agamemnon is the supreme commander of the Greek forces and the nominal leader of their campaign against Troy. His role is less that of a man of action than of a political operator struggling to maintain authority, morale, and strategy in an army fractured by competing egos and ambitions. He serves as the play’s chief representative of order, hierarchy, and the machinery of command—though his position is far more tenuous than his title suggests. His first major appearance comes when he addresses the Greek council in Act 1, Scene 3, where he delivers a meditation on the causes of their military stagnation: the loss of cohesion, the erosion of degree and rank among the armies.

Agamemnon’s signature intellectual contribution to the play is his endorsement of Ulysses’ philosophy of order and hierarchy. He receives Ulysses’ celebrated speech on “degree”—the notion that the heavens, the planets, and all of nature observe rank and precedence—with apparent enthusiasm and agreement. Yet Agamemnon himself is largely a reactive figure. When Ulysses proposes the strategy of having Ajax, rather than Achilles, accept Hector’s challenge, Agamemnon accepts the plan, recognizing that it will wound Achilles’ pride and bring him back to battle. His leadership consists largely of listening to counsel, endorsing policy, and attempting to enforce compliance. He is hospitable to Hector when the Trojan arrives in the Greek camp, showing courtesy and offering dignified welcome—gestures that reveal his awareness of honor and proper conduct, even toward an enemy.

By the play’s end, Agamemnon has become almost a background figure, swept along by events rather than directing them. When Hector is slain—killed not in honourable single combat but murdered by Achilles and his mercenary Myrmidons—Agamemnon receives the news as a military victory to be announced and celebrated. His final words affirm that “Great Troy is ours, and our sharp wars are ended,” a proclamation that treats the war as a question of policy and territorial gain rather than the moral catastrophe the play has depicted. Agamemnon remains throughout a voice of authority and order, yet the play subtly suggests that his authority rests on rhetoric and procedure rather than on any deeper understanding of the human reality beneath the machinery of command.

Key quotes

Take but degree away, untune that string, And hark what discord follows!

Take away rank, untune that string, And listen, what discord follows!

Agamemnon · Act 1, Scene 3

Ulysses warns that without hierarchy and structure, society collapses into anarchy. The line is famous because the image of an untuned string producing discord is unforgettable, and because it has been cited for centuries as Shakespeare's defense of social order. Yet the play reveals Ulysses himself as willing to break that very hierarchy when it suits his purposes, making the line less a philosophy than a weapon of rhetoric.

What is aught, but as 'tis valued?

What is anything, but only what it's worth?

Agamemnon · Act 2, Scene 2

Troilus answers Hector's moral argument with a radical question: is there any such thing as objective worth, or is value only what someone is willing to pay for it? The line resonates because it applies to everything in the play—Helen, Cressida, honor itself—and because it suggests a world where commodities and people are traded interchangeably. It is the philosophy that justifies the marketplace mentality of the entire drama.

Time hath, my lord, a wallet at his back, Wherein he puts alms for oblivion,

Time, my lord, has a bag on his back, Where he puts gifts for forgetfulness,

Agamemnon · Act 3, Scene 3

Ulysses warns Achilles that time forgets yesterday's heroes as easily as it discards trash. The image of Time as a beggar with a wallet full of forgetting is one of Shakespeare's most haunting, and it applies to everyone in the play. No matter what glory one achieves, Time will erase it; the only defense is relentless action and constant renewal of one's fame in the present moment.

Relationships

Where Agamemnon appears

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