The truth is, she and I, long since contracted, Are now so sure that nothing can dissolve us.
The truth is, she and I, long ago promised to each other, Are now so certain that nothing can break us apart.
Master Fenton · Act 5, Scene 5
Fenton reveals that he and Anne Page have been secretly married all along, while both families scrambled to marry her to Slender and Caius. The line lands because it asserts the one true love-match in the entire play—a love based on genuine feeling, not money or scheming. It becomes the play's answer to the question of what real devotion looks like.
No, heaven so speed me in my time to come! Albeit I will confess thy father’s wealth Was the first motive that I woo’d thee, Anne: Yet, wooing thee, I found thee of more value Than stamps in gold or sums in sealed bags; And ’tis the very riches of thyself That now I aim at.
No, may heaven help me in my future! Even though I’ll admit your father’s wealth Was the first reason I pursued you, Anne, Still, in courting you, I found you more valuable Than gold coins or bags of money; And it is the true wealth of who you are That I’m after now.
Master Fenton · Act 3, Scene 4
Fenton, pressed by Anne's parents to explain why he should marry her, admits he first courted her for money but discovered something true underneath. The line resonates because it is the play's most sincere moment about actual love—not scheming, not conquest, but the shock of finding another person more valuable than wealth. Fenton's confession that Anne's own worth has replaced his greed is the one redemption the play offers.
Money buys lands, and wives are sold by fate.
Money buys land, and wives are chosen by fate.
Master Fenton · Act 5, Scene 5
Ford is responding to the revelation that Anne Page has married Fenton instead of either Slender or Caius, and he offers this philosophical acceptance. The line is the play's only moment of genuine wisdom—an acknowledgment that desire and love cannot be controlled by property or ambition. It is also deeply ironic coming from Ford, who has spent the play trying to control exactly such things.