A Midsummer Night's Dream · Act 4, Scene 2

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Enter QUINCE, FLUTE, SNOUT, and STARVELING
Enter QUINCE, FLUTE, SNOUT, and STARVELING
Quince

Have you sent to Bottom’s house ? is he come home yet?

Quince

Have you been to Bottom’s house? Has he come back yet?

Starveling

He cannot be heard of. Out of doubt he is transported.

Starveling

We can’t find him. He’s definitely been taken away.

Flute

If he come not, then the play is marred: it goes not forward, doth it?

Flute

If he doesn’t come, the play’s ruined: it won’t go on, will it?

Quince

It is not possible: you have not a man in all Athens able to discharge Pyramus but he.

Quince

That’s impossible: there’s no one in all of Athens who can play Pyramus except him.

Flute

No, he hath simply the best wit of any handicraft man in Athens.

Flute

No, he’s definitely the smartest guy of any tradesman in Athens.

Quince

Yea and the best person too; and he is a very paramour for a sweet voice.

Quince

Yeah, and the best-looking too; he’s got a really lovely voice.

Flute

You must say ’paragon:’ a paramour is, God bless us, a thing of naught.

Flute

You should say "paragon": a paramour is, God help us, a worthless person.

Enter SNUG
Enter SNUG
Snug

Masters, the duke is coming from the temple, and there is two or three lords and ladies more married: if our sport had gone forward, we had all been made men.

Snug

Guys, the duke is coming from the temple, and there are two or three other lords and ladies getting married: if our play had gone on, we’d all be famous now.

Flute

O sweet bully Bottom! Thus hath he lost sixpence a day during his life; he could not have ’scaped sixpence a day: an the duke had not given him sixpence a day for playing Pyramus, I’ll be hanged; he would have deserved it: sixpence a day in Pyramus, or nothing.

Flute

Oh, sweet, brave Bottom! He’s lost sixpence a day for his whole life; he couldn’t have avoided losing sixpence a day: if the duke hadn’t paid him sixpence a day to play Pyramus, I swear, he would’ve deserved it: sixpence a day for playing Pyramus, or nothing.

Enter BOTTOM
Enter BOTTOM
Bottom

Where are these lads? where are these hearts?

Bottom

Where are these guys? Where are these people?

Quince

Bottom! O most courageous day! O most happy hour!

Quince

Bottom! Oh, what a brave day! Oh, what a happy hour!

Bottom

Masters, I am to discourse wonders: but ask me not what; for if I tell you, I am no true Athenian. I will tell you every thing, right as it fell out.

Bottom

Guys, I’ve got some amazing stories to tell, but don’t ask me what they are; because if I tell you, I’m no true Athenian. I will tell you everything, exactly as it happened.

Quince

Let us hear, sweet Bottom.

Quince

Let’s hear it, sweet Bottom.

Bottom

Not a word of me. All that I will tell you is, that the duke hath dined. Get your apparel together, good strings to your beards, new ribbons to your pumps; meet presently at the palace; every man look o’er his part; for the short and the long is, our play is preferred. In any case, let Thisby have clean linen; and let not him that plays the lion pair his nails, for they shall hang out for the lion’s claws. And, most dear actors, eat no onions nor garlic, for we are to utter sweet breath; and I do not doubt but to hear them say, it is a sweet comedy. No more words: away! go, away!

Bottom

Not a word about me. All I’ll tell you is that the duke has eaten. Get your costumes together, fix your beards, put new ribbons on your shoes; meet at the palace right away; every man review his part; because the bottom line is, our play has been chosen. In any case, make sure Thisby has clean clothes; and don’t let the guy playing the lion trim his nails, because they need to look like the lion’s claws. And, most important actors, don’t eat onions or garlic, because we’re supposed to smell sweet, and I have no doubt they’ll say it’s a lovely comedy. No more talking: let’s go! Hurry, go!

Exuent
Exit all

End of Act 4, Scene 2

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